11/9/2023 0 Comments Rufus thomas soul train![]() ![]() Don wants to break generational cycles, he wants to be a better man and father than his father was – the last flashback is of Don as a young man beating his dad in a fight and declaring his independence – but softness is a challenge for him. ![]() Tony just wants to be with him, whatever that takes. Don struggles to balance the emotional distance and unflinching firmness he was taught – making Tony work “like a man,” when he shows up at the studio, telling him he thinks he’s grown, commanding respect through fear – with the pure love and yearning he sees in his son. Throughout the episode, flashbacks to Don’s “lessons” from his tough, abusive father are juxtaposed against his interactions with young Tony. This season’s first two episodes gave insight into Don’s struggles as a husband, now we learn about his struggles as a father. While Kendall grapples with the idea of becoming the man of the house, Brienne (Kelly Price) actively steps into the role and handles small things that were her husband’s domain namely, a leaky faucet announcing Joseph’s permanent absence with every drip.ĭon’s missing son, Tony, shows up on the set of Soul Train just as Don is preparing to catch a flight back to Chicago to find him. She sneaks out to perform alone and almost falters during a song dedicated to her dad until JT steps in to join her and save the performance. Simone’s wants to honor her father through her music, and while Kendall and JT want to cancel a gig the group has scheduled, she thinks Joseph would want them to move forward. What do I do with that?” and thinks he needs to get into responsible adult mode (as though he weren’t already a father…but we digress). He’s saddled with guilt, “The only reason I’m not in Vietnam right now is because dad died. Because of his father’s death, Kendall is now head of household, so his draft is waived. The Clarke siblings are processing their grief in different ways. Don is still chasing large bookings like Marvin Gaye – and still hitting a wall – when Delores calls to tell him their oldest son is missing. Tessa digs under her bed to pull out an old dance photo and stare at it longingly. The Clarke family lays Joseph to rest, accompanied by Babyface’s spare, a capella rendition of “What’s Going On” (Babyface is the music supervisor for American Soul). ![]() I think when people hear Kelly’s rendition of ‘Midnight Train to Georgia,’ it’s just amazing.” Those reinvented classics are the extra hook that’s good for the American Soul.American Soul‘s third episode three opens as the major characters confront various types of loss in their worlds. You remember the fashion, the sound…,” said Collins, who was ep for BET’s “New Edition Story” and “The Bobby Brown Story.” “Babyface is producing all those performances. It’s great when it drives story, and it’s great when it can take you to place of nostalgia. “The music has to serve a couple of purposes. Bobby Brown plays Rufus Thomas, Wayne Brady guests as Little Richard and so on. A performance is featured in each episode, fueled by star power. It’s a huge part of American Soul, with Kelly Rowland guest starring as Knight. It’s great because you have the anchor of Don and the show, it allows you to grab on to certain things that are factual, like Gladys Knight performing on the first episode that was shot in L.A.”Īh, yes, the music. “We’re able to tell that with the dancers, and Don and the other people Don has to deal with. “The idea was ‘let’s show what life was like in Los Angeles in 1971, what the African American experience was,’” Collins explained. The series blends fact and fiction, diving deeper than Cornelius trying to book acts weekly. It’s written by Devon Greggory and Jonathan Prince, with Prince (“American Dreams”) pitching the idea. He serves as executive producer of the series along with Don’s son Tony Cornelius. ![]() Now he gets an entire series to explore that question with BET’s “American Soul” (premieres Feb 5, 9pm). When I got the opportunity to produce the BET Awards, I just in my head said, ‘What would Don do?’” Collins told Cablefax. “ Don Cornelius really was someone I idolized. Jesse Collins has been instrumental in transforming the BET Awards, but if you ask him about the first awards show he ever attended, he’ll tell you it was the Soul Train Awards. ![]()
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